Storytelling (2001) USA
Storytelling Image Cover
Additional Images
Director:Todd Solondz
Studio:New Line Home Video
Writer:Todd Solondz
Rating:3.5 (79 votes)
Rated:R
Date Added:2009-03-21
ASIN:B00005JKJG
UPC:9780780638501
Price:$24.98
Genre:Comedy
Release:2002-07-16
IMDb:0250081
Duration:87
Picture Format:Widescreen
Aspect Ratio:1.85:1
Sound:Dolby Digital
Languages:English
Todd Solondz  ...  (Director)
Todd Solondz  ...  (Writer)
 
Noah Fleiss  ...  
Paul Giamatti  ...  Toby Oxman (segment "Non-Fiction")
John Goodman  ...  
Julie Hagerty  ...  
Lupe Ontiveros  ...  
Frederick Elmes  ...  Cinematographer
Selma Blair  ...  Vi (segment "Fiction")
Leo Fitzpatrick  ...  Marcus (segment "Fiction")
Robert Wisdom  ...  Mr. Scott (segment "Fiction")
Maria Thayer  ...  Amy (segment "Fiction")
Angela Goethals  ...  Elli (segment "Fiction")
Devorah Rose  ...  Lucy (segment "Fiction")
Nancy Anne Ridder  ...  Joyce (segment "Fiction")
Steve Rosen  ...  Ethan (segment "Fiction") (as Steven Rosen)
Aleksa Palladino  ...  Catherine (segment "Fiction")
Mary Lynn Rajskub  ...  Melinda (segment "Fiction")
Tina Holmes  ...  Sue (segment "Fiction")
Mike Schank  ...  Mike (segment "Non-Fiction")
Xander Berkeley  ...  Mr. DeMarco (segment "Non-Fiction")
Mark Webber  ...  Scooby Livingston (segment "Non-Fiction")
Summary: Todd Solondz, director of the acclaimed "Welcome to the Dollhouse" and the controversial "Happiness", continues pushing the envelope of social decorum with the merciless and casually cruel "Storytelling", his most ruthless satire of suburban complacency. Broken into two unrelated chapters, "Fiction" follows college girl Selma Blair through a degrading encounter with her resentful writing teacher (Robert Wisdom), while the more sprawling and scattershot "Non-Fiction" circles around the mutual exploitation of a fumbling documentary filmmaker (Paul Giamatti doing a near-parody of director Solondz) and his clueless subject, a suburban high school slacker named Scooby (Mark Webber). The squirmy laughs are laced with humiliation and the satire is acidic and cynical; in the world of Solondz, victims and victimizers alike are petty, selfish, vindictive, and thoughtless, and empathy is strictly rationed. Though sharply written and well directed, this misanthropic vision is strictly for daring filmgoers and Solondz fans. "--Sean Axmaker"