American Beauty (1999) USA
American Beauty Image Cover
Additional Images
Director:Sam Mendes
Producer:Alan Ball, Bruce Cohen, Dan Jinks, Stan Wlodkowski
Writer:Alan Ball
Date Added:2007-03-05
Awards:Won 5 Oscars. Another 83 wins & 68 nominations
Aspect Ratio:2.35:1
Sam Mendes  ...  (Director)
Alan Ball  ...  (Writer)
Kevin Spacey  ...  Lester Burnham
Annette Bening  ...  Carolyn Burnham
Thora Birch  ...  Jane Burnham
Wes Bentley  ...  Ricky Fitts
Mena Suvari  ...  Angela Hayes
Chris Cooper  ...  Col. Frank Fitts, USMC
Peter Gallagher  ...  Buddy Kane
Allison Janney  ...  Barbara Fitts
Scott Bakula  ...  Jim Olmeyer
Sam Robards  ...  Jim Berkley
Barry Del Sherman  ...  Brad Dupree
Ara Celi  ...  Sale House Woman #1
John Cho  ...  Sale House Man #1
Fort Atkinson  ...  Sale House Man #2
Sue Casey  ...  Sale House Woman #2
Kent Faulcon  ...  
Brenda Wehle  ...  
Lisa Cloud  ...  
Alison Faulk  ...  
Krista Goodsitt  ...  
Conrad L. Hall  ...  Cinematographer
Christopher Greenbury  ...  Editor
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Summary: From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.
It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.
Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam Sutherland