Fletch (1985) USA
Fletch Image Cover
Additional Images
Director:Michael Ritchie
Studio:Universal Studios
Producer:Alan Greisman, Peter Douglas
Writer:Gregory McDonald, Andrew Bergman
Date Added:2007-03-06
Purchased On:2007-06-03
Awards:1 nomination
Genre:Cons & Scams
Picture Format:Widescreen
Aspect Ratio:1.85:1
Languages:English, Dolby Digital 5.1, Spanish, Dolby Digital 2.0, French, Dolby Digital 2.0
Subtitles:English, Spanish, French
Michael Ritchie  ...  (Director)
Gregory McDonald, Andrew Bergman  ...  (Writer)
Chevy Chase  ...  Irwin 'Fletch' Fletcher
Joe Don Baker  ...  Chief Jerry Karlin
Dana Wheeler-Nicholson  ...  Gail Stanwyk
Richard Libertini  ...  Frank Walker
Tim Matheson  ...  Alan Stanwyk
M. Emmet Walsh  ...  Dr. Joseph Dolan
George Wendt  ...  Fat Sam
Kenneth Mars  ...  Stanton Boyd
Geena Davis  ...  Larry
Bill Henderson  ...  Speaker
William Traylor  ...  Ted Underhill
George Wyner  ...  Marvin Gillet
Tony Longo  ...  Detective #1
Larry Flash Jenkins  ...  Gummy
Ralph Seymour  ...  Creasy
Kareem Abdul-Jabbar  ...  
James Avery  ...  
Reid Cruickshanks  ...  
Bruce French  ...  
Burton Gilliam  ...  
Fred Schuler  ...  Cinematographer
Richard A. Harris  ...  Editor
Comments: Meet the only guy who changes his identity more often than his underwear.

Summary: Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring is transformed by screenwriter Andrew Bergman (Blazing Saddles, and writer/director of The Freshman and Honeymoon in Vegas) into a fairly sarcastic and occasionally very funny Chevy Chase vehicle. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humor funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play I.M. "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humor centers on the ridiculous idea that any of these phony accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, it's subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span. The DVD version includes production notes and a theatrical trailer, and is presented in its original aspect ratio of 1:85 to 1. --Dave McCoy