Dancer in the Dark (2000) Spain, Argentina, Denmark, Germany, Netherlands, Italy, USA, UK, France, Sweden, Finland, Iceland, Norway
Dancer in the Dark Image Cover
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Director:Lars von Trier
Studio:New Line Home Video
Producer:Anja Grafers, Calem Martin, Els Vandevorst, Finn Gjerdrum, Friðrik Þór Friðriksson, Lars Jönsson
Writer:Lars von Trier
Date Added:2007-03-06
Purchased On:2007-06-03
Awards:Nominated for Oscar, Another 22 wins & 33 nominations
Picture Format:Widescreen
Aspect Ratio:2.40:1
Lars von Trier  ...  (Director)
Lars von Trier  ...  (Writer)
Catherine Deneuve  ...  Kathy
David Morse  ...  Bill Houston
Björk  ...  Selma Jezkova
Peter Stormare  ...  Jeff
Joel Grey  ...  Oldrich Novy
Cara Seymour  ...  Linda Houston
Vladica Kostic  ...  Gene Jezkova
Jean-Marc Barr  ...  Norman
Vincent Paterson  ...  Samuel
Siobhan Fallon  ...  Brenda
Zeljko Ivanek  ...  District Attorney
Udo Kier  ...  Dr. Porkorny
Jens Albinus  ...  Morty
Reathel Bean  ...  Judge
Mette Berggreen  ...  Receptionist
Summary: Masterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.
In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?
Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon Wise