Summary: Richard Widmark never had better exercise for his Cagney-like bouncing-ball energy than Night and the City, a classic film noir about a hustler's meteoric flame-out. Although acknowledged as one of the great noir pictures, it's actually set and shot in London, which gives an exotic, displaced novelty to the usual noir universe. Widmark's performance as Harry Fabian is a jibbering, wheedling, giggling tour de force, as Harry schemes his way to setting up a wrestling match and finally establishing himself as a "somebody." Instead, he manages to irritate the underworld heavies (memorably, Herbert Lom and Francis L. Sullivan) whose fingers are already deeply into the criminal pie. Gene Tierney and Googie Withers are the women--one good, one bad--who witness Harry's descent. This was director Jules Dassin's final project for a Hollywood studio before the blacklist forced him out, and he packs the film with tortured camera angles and spidery noir shadows; the movie's a real visual clambake. Night and the City was remade, tiredly, with Robert De Niro in 1992. Bonus: See how strongly this movie has influenced Martin Scorsese. --Robert Horton
Night and the City - Criterion Collection
(1982)
USA
